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Ryuzanji
Company has its origins in Japan’s Angura
(underground) theatre movement of the 1960s, a
time when Japan’s contemporary theatre culture
underwent a revolution. Show Ryuzanji
founded the company in 1984 after participating
in two of the major Shogekijo movement theatre
companies, Jokyo Gekijo (led by Kara Juro) and
Wazeda Shogekijo (led by Tadashi Suzuki).
While the
"underground" image is foremost in many people's
minds, the company is in fact a theatre planning
office established with the goal of creating a
network within the small theatre community in
order to provide a place for networking and
collaboration between directors, writers, and
actors beyond the boundaries of their respective
theatre companies.
As a leading
Japanese performing arts company, Ryuzanji
accepts international students and actively
promotes performing arts exchange programs
overseas. Performance activities are
wide-ranging, from works of Kabuki and
Shakespeare to up-and-coming young playwrights
and Broadway musicals, the company pursues
"freedom of expression", and "limitless
possibility" of the performing arts.
Ryuzanji has also
established "Rakujuku" (1998~) a troupe
of local adults open to people aged 45 and
older, and the senior theatre company
"Paradise Ichiza" (2006~) members of which
have an average age of 82. In 2012, Rakujuku
performed in its first overseas festival at the
Fringe Festival in Victoria, Canada, and won the
prize for Best Ensemble. These groups are
creating an unprecedented theatrical revolution
with their motto of "Watching something fun
makes you feel good!" The groups are at the
forefront of Japan's emerging senior theatre
movement. |
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Show
Ryuzanji
(流山児祥) |
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Artistic Director of
Ryuzanji Company.
Stage Director. Actor-Producer. Vice-Chair of the Japan
Stage Directors Association and Director of the Japan
Theater Companies Association.
Born in November, 1947 in Arao, Kumamoto. Dropped out of the
Economics Department at Aoyama Gakuin University to join
Jokyo Gekijo, and then the Waseda Shogekijo, before forming
his own theatre group, “Shogekidan” in 1970. He has been on
the rampage as leader of the second generation of Japan’s
small theatre movement for over thirty years. His stage
productions number over 250, a feat unmatched in the
Japanese theatre world. “Bluebeard’s Castle”, “Educating Mad
Persons”, “The Love Crazed Samurai”, “High Life”, and
“Urinetown” are just some examples of the works he has
produced in Japan and overseas, to high praise. He travels
the world in search of the “Freedom of the Theatre”.
In recent years, his “Senior Theatre Workshops” have been
gaining attention nationwide. As an actor, he has appeared
in television and film (“Minbo” and more). His voice acting
work in “Ruroni Kenshin” as Usui the Blind Sword, and as
Tadashi Hoshika in “Uchuu Kyodai”.
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Awards
& Overseas Performances
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“Urinetown”@Za Koenj,
Tokyo
Awards
1986
Independent Film
Award of the
Yokohama film
festival for "Keppu
Rock" 1990
"Bluebeard's
Castle" Award
for best play,
direction and
supporting
actress at the
Shonichi Tsushin
1994
The 38th Kishida
Kunio Drama
Award for "The
Terayama"
1998
Best Actor Prize
of the 5th
Yomiuri
Theatrical Grand
Awards for "Ai
no Kojiki"
2000
Best of Fringe
at the
Victoria's
Fringe
International
Theatre Festival
for "Educating
Mad Persons"
2003
"Bluebeard's
Castle" Tokyo
arts theatre
Award for Best
Play,Best
Actoress Prize
of the 10th
Yomiuri
Theatrical Grand
Awards and
Odajima Yushi
Award 2005
The Grand Prize
of the 6th Aichi
arts theatre
festival for
"High Life"
2006
Best Avant-Garde
Play Prize of
the11th Tobita
Theatre Awards
2007
The 7th
Kurabayashi
Seiishirou Award
2009
The 44th
Kinokuniya
Theatrical Grand
Awards for
“Urine Town”,
“High Life” and
“Death in the
Country”
2010
The 37th Kisaku
Ito Award for
“Urine Town”
2012 NY
Overall
Excellence Award
at the FringeNYC,
pick of the
Fringe award at
the Victoria's
Fringe for
“Hanafuda Denki”
Overseas
Performances
1991
“Ryuzanji
Macbeth” in
Seoul, Korea
1999
“Educating
Mad Persons”
Kwacheon
International
Theatre Festival
in Korea
2000
“Educating
Mad Persons” in
Canada-Edmonton,
Victoria and
Vancouver
2001
“Doll’s
House” at Cairo
International
Festival For
Experimental
Theatre
2002
“Doll’s
House” in
Beijing, Hong
Kong, Macau and
Moscow
2003
”Doll’s
house” in
Toronto, Salt
Spring Island
and Vancouver
2003
“Doll’s
house” at Suwon
Hwaseong
Fortress Theatre
Festival in
Korea 2005
“Kamikakete
Sangotaisetsu”
at Fadjr
International
Theatre Festival
in Iran,
Belarus, Moscow
and China
2006
“Doll’s
House”,”Shizukana
Uta” and “High
Life” in Beijing
2008
“Educating
Mad Persons” in
Shanghai, Hong
Kong and
Hangzhou
2009
“High
Life” in Macau,
Taiwan, Victoria
and Sail Spring
Island
2011
“Hanafuda
Denki”, “Soroba
Komachi” in
Indonesia
2012
“Hanafuda
Denki”in
Edinburgh, NY ,
Victoria and
Vancouver
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